Meta Theatre the quality of the structure.. Theater within the theater and has similar shapes appear mainly in comedy and farce and Turagiuomidea



He knew history of theatrical practice different forms of writing embodied in the so-called dramatic species, including species, Kturagidea classical, comedy, and species developed through the historic path of theatrical creativity, including drama and hard known type that is Turagiuomidea   Where the mixing between a tragedy and comedy. As long as the phenomenon Almitamsrahih   Phenomenon as old as the drama the same species, standing on the specific embodiment Générique This phenomenon is very important, because it reveals to us another dimension in the lattice Almitamsarh, after a dramatic relationship with the species.
  It is true that this relationship assumes the existence of a theoretical perspective and believes there is a clear list of types of self-distinguishing features and built the firm does not accept the breach;
It is now believed that it was above in the context of contemporary theory of types in which the very concept of text or writing takes the place of genre, making the argument of the "clarity of type," which has long defended the classical theory is a procedural argument because of the overlap of the qualitative dimensionssignificantly.          
   However, we, however, we see the indispensability of the distinction between appearance and feel of the historical theory of types, because this distinction very useful in breaking many of the ambiguities surrounding the issue of species. Out of it, we see that the reality confirms the literary coexistence scenarios are contradictory: the existence of gender and destroyed. Perhaps this is why we tend to the position that carries one of the studies of synthetic latter on the issue of literary genres, which assures the owner that "genres now living situation very well. It is true that the business" open "to reconsider the classifications multi-For the large majority of publishers, Aketbian, and assigned   Tanks, and critics sometimes. For this, preferably a textbook or the date of the literary - in front of the great difficulty that it finds in the classification of the work of Michaux, South Jabas within a layer or the quality - the compilation of authors under the banner of "creative" and thus within the framework of "non-consenting to the classification."However, such a method - although justified - not only because it means saying the same kind still exist ".
Out of this situation junctions experienced by the species, which finds that pay zakaah in the approach that I took some of these species that although "being obsolete, but with a tendency Abrtarichah", we can say that looking at manifestations of Almitamsarh in light of the distinction between dramatic species is possible. However, the question arises: What is the benefit that can derive Almitamsarh poetic than that?
  The answer lies in the value of literacy of the type first, which confirms the Pavas that "type, and choose to read the text from the rules of this kind or that, for the reader / viewer, provides a direct hint on the fact presented, giving the network to read and hails pact between the text and reader . Given the fact that the atmosphere prevailing in the tragedy, for example, quite different to what is in the comedy, this knowledge is very important in highlighting the Altheloinat taken Almitamsarh in this or that kind, and in the disclosure of the relationship between Mkonathma and Almitamsarh. The nature of laughter and humor and satire prints in the comedy is clearly the quality of discourse that can be Almitamsrahi holds this kind.
  But before detailing the modern relationship Almitamsarh species drama, La Paz to point out that Chmilng been infected when he emphasized that the Almitamsarh not associated species Alhazelh only, he said: "We have used literary criticism link roads double play type comedy, because the awareness of play inside the theater reveals events or making fun of them, and puts the viewer in a state of sublimation at what is happening on stage. But it's here the outlook is very superficial, because if it is true that the theater within the theater and similar shapes it appears mainly in comedy and farce and Turagiuomidea .. etc., the type hard Also, including the tragedy and drama, using these methods themselves".


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