Meta Theatre Alkrotski: "Hamlet" by Shakespeare.. Mixing in techniques between Dramatizing Dramatizing and multiplier methods in language between poetry and prose

Can not talk about Almitamsarh West without stopping at William Shakespeare William Schakespeare Who "try, through all his experience, the stage inside the theater where the integration in Kmtoagliat Trajadyate, and the integration of such sequences in Comidyate".

The play, "Hamlet Hamlet "By the dawn of the seventeenth century (about 1601), Labs models presence Almitamsrahi him. And if this play - like Ribertoar Shakespearean whole - has received great attention has been focused on various aspects of literary and intellectual, what concerns us, in this frame, is the quality of Altmzar Almitamsrahi in this work, especially that which Shakespeare adopted what we called the former cavity theater, where crystallized in the window can be called here: Alkrotskih poetry.

And Alkrotsk Le Grotesque The concept of literary and artistic return appearance - according to some - to the end of the fifteenth century, while the back by Victor Hugo to further, and exactly to the Latin literature.This concept has penetrated to the borders of Western literature of our time, where we find that the classical took him luck. Says one studying in this context: "The months in the field of classical literary Alkrotsk (Rabula, Shakespeare) belong to the Renaissance. Shakespeare was decorated with his plays Bchkhos perverted strange presence was inconsistent with the context in which the tragic year be included in which"

The play "Hamlet" a model of poetic Alkrotskih both at the level of the characters or events, or language.So, no wonder that we find Victor Hugo makes Shakespeare - in the introduction to his play, "Cromwell" - representative of the era of poetic third called him era drama based on the mobilization of all aspects of Alkrotsk in theatrical work, including the combination of horrific and funny, and thus between the tragic and comic . Hugo says: "Shakespeare is the drama, any drama that melted in one template Alkrotsk and the transcendent, frightening and funny, tragedy and comedy".

Along with this mixing in the atmosphere and dramatic quality formulas, we find in the mixture between the techniques and Dramatizing Dramatizing the multiplier, and the methods of language poetry and prose.Tried Hxbarbakl this, should present a literary comprehensive includes aspects of literary multiple stop by Jabra Ibrahim Jabra in the introduction to Arabic translation of the play, saying: "He wanted to mobilize a lot of things in this tragedy, and the development of the summary of all that he wishes the book Aldramh methods. Wherein a representative within the representative, in which poetry and prose, and the sadness and the laughter and the singing and the irony of the methods of others, and the madness and the claim of insanity, and the spectrum of a terrible and skulls and revenge, dotted with the bodies of left and right, and where that whole charm of verbal and thought deeply and hopes for life".

Within this general framework, to be developed Almitamsarh in "Hamlet," and that as a procedure that Gaúaa on the basis of the cavity, and on the basis of models Chkusia Chkusih Mmsarhh Mmsarhh and at the same time, and quality to blend tragedy and comedy. And hurt all of this in the direction of a philosophical turn, blends between the Platonic and religious faith in a world seen as a theater. And "Hamlet", from this angle, intersect with the dominant perspective in the Baroque "Life is a Dream", though the historical background of controlling two different. Vmsarhah "Hamlet" reflects the spirit of the age Alalezabita values ​​of social, cultural and political, including: national unity, the system, the call for consistency, stability and detection of multiple components of the human.

Troy play "Hamlet," the story of Danish prince lost his father following a murder plot hatched with the connivance of his uncle, his mother, in order to capture the king. This heinous act of "killing Konzzako" which would be a double structure or cavity in the play, where the spectacle will be diagnosed before the king, by a squad of representatives had been on tour. This representation will take Hamlet multiplier means to condemn his uncle and his mother. The killing of an event Konzzako theatrical double penetrating drama, reflected in miniature like a mirror reflects things actually, and it seems that Hamlet himself was a mirror evokes this awareness when he decided to assign the representation of the tragedy of his father to the troupe. Therefore, we find a representative address, saying:

"Hamlet: As I Please do not over-familiarity and gentleness. Let Aftntek teacher. Fit the floor movement, and movement, she complying with this requirement: it is not beyond the modesty of nature. Every exaggeration to say and the movement it is a foul for so acting, and this end from the beginning until today However, like a mirror in front of the establishment to reflect the nature of the virtue of her face, and Zraah image and body shape of the age and society and its impact".

A woman who calls on Hamlet to set up a lesson here, designed to provide cross-representation, narrated by "double crime of deceiving the king and queen, would create a" play within the play "in front of a mirror of the defendants convicted Miroir Accusateur".

The Shakespeare paints a mirror of this new framework for simulation Aristotelian pleading style double play as a method Krotskia combines reflection and concavity or in other words, he is working on a dramatization reality and convert to a gap amongst mixed with the perfect stage performance Palmmsarh.

Perhaps this combination is what made ​​Apple look at the characters of the play "Hamlet" as the authors, playwrights, including four in particular are "Claudius, the spectrum, Polonius, and Hamlet [...] Vkoldeus writer melodrama from beginning to end [...] The spectrum Starter Alezabita [...] a typical melodrama and Polonius playwright par excellence [...] Hao and Hamlet, of any kind of playwrights is it? this question difficult to answer. He has, like a creative sense of theater as it is a privilege most apparent in his advice to the representatives . Actually, the melancholy Hamlet has pushed strongly towards tragic poetry, but he is in a position to prevent his father from the spectrum identified tragedy".

Open this reading of the characters of the play "Hamlet," We have an important prospect to consider it as a complex of different dramatic choices, and thus play a mixture of multiple types of multiple fates of the characters and their attitudes and their choices. The play "Hamlet" is, therefore,   "Theatrical plays"; and here lies the distinction Almitamsrahi her.

Not surprisingly, we find this tendency towards a certain dramatic choices the characters of the play is based on the awareness of some of Ignacy difference exists between some of the prevailing patterns of drama. Perhaps this is reflected in Polonius, which shows a clear knowledge of these patterns when talking about the representatives of the band:

"Polonius: the most brilliant actors in the world. They know how to tragedy and comedy, plays and historical, rural, rural comedy, rural historic and tragic history, and rural historic comic tragic, as are good representation of the scene Allaadzo or poem Allathadd. To Aatsabon Seneca, do not underestimate Blaootoos. And whether they have What laws restrict write and edit them. They are the only representatives".

One manifestation of this awareness of the characters, as shown by Hamlet himself, who comes from an intellectual and aesthetic vision and believes in the importance of a clearly defined stage in the detection of truth and conviction:

"Hamlet:   Play is the thing that Saqd it on the conscience of the King".

For this, we find outlines of how the performance and representation of the scene on the death of his father in order to achieve the desired end of it, which warns of falling into exaggeration, and emphasizes the concern for the automatic and the relevance between the word and movement. Above all, Vhammelt - out of consciousness and aesthetic conditions receive - explaining the background mix of funny and sad, and thus between comedy and tragedy in the scene "the killing of Konzzako":

"Hamlet: and warned those who represent the roles of clowns say not only what to say without them, because of them laugh a class of its own to laugh have a number of stupid glasses, while the play is not the laughter must pay attention to it".

This Almitamsrahi speech, which was crystallized Hamlet, contains many of the features of Shakespeare's poetry itself. Valmzj between sad and funny, as expressed by Hamlet, finds its framework in Drama DrameShakespearean-based Alkrotsk. This is poetry itself is controlled in terms of the production of laughter and received in the context of the tragic, as a prominent impact on Hamlet's speech before.

It follows from the foregoing, the Almitamsarh Alkrotski in "Hamlet" is based on the cavity, which embodies the image of Shakespeare's Hamlet himself, and diagnosed the play "killed Konzzako" a microcosm of the great tragedy of the murder of the king. The theater in this cavity depth of the lattice Krotskih blends between species and the worlds and characters in the theater.

We can say that this poetry is the embodiment of aesthetic metaphysics Alalezabita era in general, and particularly Shakespearean Matadrama which is seen as a manifestation of "the phenomenon of wide range of Almitaatmsarh Metatheatricality Based on the idea that the world scene".