There is a close relationship between the literary text of poetry and poetic text evokes theatrical dimension of the literary phenomenon of the play the first place. Perhaps this relationship is warranted by us to link Almitamsarh the one hand, and between the cavity and Almitanasih literary on the other. Has been confirmed to us - at least in theory - that the actions Almitanasih and the follicle associated with literary text, the poem or a novel, there are also in the theatrical text.
However, the privacy of theater impose themselves in the drafting of this poetic perspective.
Preassigned theatrical text of bilateral dialogue and the instructions of the play, and doubled for the property Gaúah Dramatizing feature, made us stand on some of the characteristics of the exercise Mitanasih Mitamsarh as a playwright and cavities.
Perhaps this is the privacy that causes us to say that poetry Almitamsarh sometimes operate as a breach or a shift from the standard by which we assumed here, and in the poetry of the literary text. Therefore, the consideration to Almitamsarh in a mirror Almitanasih and cavity literary, should not make us lose sight of the interest in and of itself and accountability from the inside to understand the mechanisms work and the ways Tbenninh within the text theater, as well as its relationship to the specificity of such drama as well as the functions performed in the present context, theater.
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